In advance of his new 14 July album ‘A Short History of Decay‘, John Murry has announced a string of September UK dates (see the end of this article).
In addition, a trailer for the forthcoming documentary on John Murry, ‘A Short History of Decay’ has been revealed which you can watch below:
A Short History Of Decay
John Murry was adopted at birth into the family of William Faulkner. Some have speculated that the Faulkner blood might also run in his veins, but that should be left for a Southern Gothic novel yet to be written (or perhaps re-written). Raised in Tupelo, Mississippi, in the shadow of Elvis, his undiagnosed autism led to troubles at an early age which led to prescribed medication, which led to unprescribed medication which led to being institutionalised for addiction and mental health issues at a too young age. Eventually, discarded onto the streets of Memphis, he found music, which became the one constant positive force in his life. Memphis led to San Francisco and San Franciso led to heroin and heroin led to a near fatal overdose on the corner of 16th and Mission, so harrowingly memorialised in his song Little Coloured Balloons.
Music again came to his rescue and led him to Tim Mooney (American Music Club) and the group of musicians that helped create his 2012 masterpiece “The Graceless Age”. The album was hailed by MOJO magazine and received a 5 out of 5 rating, UNCUT called it a “masterpiece”, both magazines included it in their Top 10 albums of the year; American Songwriter put it in their Top 5 of the year and The Guardian included it in their best of the year as well. The accolades rolled in and John toured the world. He entranced and devastated audiences with his raw, unfiltered live performances, and it looked like his trajectory was set, that music had won and would have the final word. And then Tim Mooney, John’s mentor, his beacon, his bedrock, died suddenly and unexpectedly… and John’s world fell back into chaos.
Over the next few years, John would lose the footing that he had struggled so hard to establish. He would lose his wife, his daughter, temporarily his freedom and ultimately his country.
Somewhere along this journey, John crossed paths with Michael Timmins of Cowboy Junkies. John had opened for the band at a show in Glasgow and Michael watched side-stage transfixed by John’s performance. Over the next few years the two of them kept in touch, they talked about the music business, politics, books, but most of all they talked about music. And they talked about making an album together. Michael wanted to capture the rawness of John’s songs, capture the vibe that he experienced that night in Glasgow and was even more convinced of this approach when John came through Toronto opening for Chuck Prophet and did a solo set at The Horseshoe Tavern, which was as disarming and emotional as the set of music that he had experienced in Glasgow a couple of years earlier. “On The Graceless Age you can hear John’s affinity to artists such as Mark Linkous and Mark Lanegan, but seeing him on stage, with just his guitar and his songs reminded me of Townes (Van Zandt), that raw-boned, exquisite beauty, so real that it borders on the uncomfortable, you feel you should look away, but it’s just too compelling to do so. The pain, the intensity, the honesty just draws you deeper”.
Eventually, John completed his descent and landed in Kilkenny, Ireland where he found some solid ground as part of a welcoming arts community. Michael then convinced him to travel to his Toronto studio where Michael put a band together consisting of brother Peter Timmins (Cowboy Junkies) on drums and Josh Finlayson (Skydiggers, Gord Downie, Lee Harvey Osmond) on bass. John brought along Cait O’Riordan (The Pogues, Elvis Costello) whom he had met in Ireland and who wanted to be a part of John’s journey. The five of them put aside five days to record all bedtracks and overdubs, with the brief that they would let the songs dictate where the journey took them, spontanaity was the order of the week. Michael Timmins describes the sessions, “I felt that it was important that John got out of his own way and that we set up a situation where he would just play and sing and the rest of us would just react, no second guessing, just react and capture the moment. It was a very inspired and inspiring week of playing and recording. Very intense. And I think we captured the raw essence of John’s writing and playing”.
A Short History Of Decay is an intensely personal document of an artist’s fall from grace. It contains all the tragic elements of that unwritten Southern Gothic novel: the revelations of a man coming to terms with the personal shortcomings, the flaws and the perverse twists of fate that led him to the end of one journey and the beginning of another.
John Murray – UK Dates
JULY 16 In-Store Rough Trade, Nottingham
JULY 17 In-Store, Rise, Bristol
JULY 18 In-Store, Rough Trade East / London Record Rough Trade Shoplifting Podcast.
JULY 19 Live – Slaughtered Lamb, London https://www.fatsoma.com/the-slaughtered-lamb/8rm412pm/john-murry
JULY 22 Live St Mary’s Church, Guildford https://www.songkick.com/concerts/29822109-john-murry-at-st-marys-church
SEPT 12 Live Southampton Talking Heads http://www.thetalkingheads.co.uk
SEPT 13 Live Brighton Prince Albert
SEPT 14 Live Bristol Tunnels https://www.songkick.com/concerts/30202919-john-murry-at-tunnels
SEPT 15 Live Manchester The Castle http://www.seetickets.com/event/john-murry/the-castle-hotel/1106507
SEPT 16 Live Leicester TBC
SEPT 17 Live Liverpool Naked Lunch
SEPT 18 Live Glasgow Broadcast http://www.seetickets.com/event/john-murry/broadcast/1103663
SEPT 19 Live Edinburgh Sneaky Pete’s http://www.seetickets.com/event/john-murry-plus-guests/sneaky-pete-s/1103784
SEPT 20 Live Basement, York http://www.seetickets.com/event/john-murry/the-basement/1113767
SEPT 21 Live St Pancras Church London https://www.songkick.com/concerts/30124344-john-murry-at-st-pancras-old-church
SEPT 23 Live Durham Old Cinema Laundrette
A Short History Of Decay is out on 14 July 2017 on TV Records